Tag Archives: Cornell

Anita Harris Speaks to Cornell Reunion Class

On June 12, 2021, I had the privilege of introducing the class of 1970 happy hour at our 51st reunion. I talked about my published and forthcoming books and the idea of historical and individual spirals in history and in life.
Link to video.

Here’s the script, which may not be exactly what’s on the video, but all-in-all, I was glad to see so many friends!

Hi, I’m so glad to see everyone here, and especially that we’re all still here after this difficult year. I know that some of us are disappointed not to be in Ithaca—but the good part is that friends from far away can be with us.  One such friend said he would join in if I provided free drinks…which I am…in my living room.  CHEERS!

51st ANNIVERSARY OF GRADUATION 1970
 I’m sure you know that this is the 51st anniversary week of our crazy graduation. With those three walkouts, and the demonstration on stage where Morris Bishop, the distinguished historian and leader of the processional hit someone over the head with the baton he was carrying… Many people think that it was Dave Burack—my gov instructor—who got hit over the head …Burack swears it was his roommate…In any case, the demonstrators got hauled off stage and into a cop car…The bear at the top of the mace got bent and has never been the same—nor, I think,  have we.

 I remember that really well…which is amazing because people were  passing a JOINT when we were standing in the graduation processional…and I was definitely stoned.

I WROTE ABOUT THAT IN MY BOOK, ITHACA DIARIES which is based on the journals I kept as an undergraduate: it starts with me arriving at Cornell freshman year carrying the pink suitcase my uncle leon gave me for my bat mitzvah—goes through draft card burnings, demonstrations against the war,  the straight takeover,  MY LOVE LIFE, WHAT WAS I THINKING Kent State…and  ends on graduation day….when, to my amazement,  I even led a demonstration.

I WAS ORIGINALLY SUPPOSED TO TALK ABOUT ITHACA DIARIES LAST YEAR, AT OUR FIFTIETH but with the pandemic that really didn’t work out. So this year, Sally and Kathy asked me to introduce the social hour– they told me several times to be brief and to keep in mind that this is supposed to be a HAPPY hour. So I’m not going to reminisce a whole lot…I will just move the story ahead a little, wax a bit historical and philosophical, and then we’ll breakout out the drinks.  I mean..join the breakout sessions.

                                                                                    *

SINCE ITHACA DIARIES CAME OUT, I”VE BEEN WORKING ON TWO SEQUELS.

THE FIRST SEQUEL IS ABOUT MY FIRST YEAR OUT OF CORNELL— and I imagine that many of us went through similar experiences.   After all the turmoil on campus, and changes in the late sixties, I had no idea what to do with myself. (And of course, I was an English major…need I say more?) But as a fledgling feminist, I wanted to prove that I could do things: that anything a guy could do, I could do, too.  I got a bunch of short-term jobs.

WEST VIRGINIA First I got a job with the ILR School that took me traveling around the country to several hospitals,; in West Birginia, I had my first look at coal miners with black lung disease.

I WORKED IN A  POLITICAL CAMPAIGN  where one of the pols spent his days pretending to read the newspaper while staring at my legs…

THEN I WENT ON A ROAD TRIP cross country with two Brits I didn’t know, whose names I found on a bulletin board. They were both named John John, John, and I  drove cross country in a big black buick =–u drive it—and picked up every derelict and druggie, all the way from Miami to San Francisco.

AFTER THAT, I WORKED WITH DISADVANTAGED TEENS IN THE PHILADELPHIA GHETTO…AND FINALLY, I WOUND UP IN HARRISBURG, PENNSYLVANIA.  

That’s where the first sequel, which I’m CALLING PHILADELPHIA STORIES  ENDS.

HARRISBURG

SO, THEN, THE SEQUEL TO THE SEQUEL:  HARRISBURG
IT TURNED OUT THAT THREE OF OUR CLASSMATES, ED ZUCKERMAN, FRED SOLOWEY, AND VINCENT BLOCKER, WERE ALSO IN HARRISBURG, EACH FOR HIS OWN REASONS. WE AND SOME OTHER PEOPLE ENDED UP STARTING A NEWSPAPER THERE, IN CONNECTION TO A MAJOR POLITICAL TRIAL— IT WAS THE TRIAL OF THE HARRISBURG 8., WHICH HAD AN INTERESTING CORNELL CONNECTION. 

HARRISBURG 8 TRIAL
BERRIGAN: You may remember Dan Berrigan the anti war Priest, and poet who was deputy director of  Cornell United religious work. Anyway, while Dan Berrigan was in prison, Nixon’s FBI Director J EDGAR HOOVER ACCUSED DANIEL’s brother  Philip , who was also in prison, of conspiring to kidnap Henry Kissinger and blow up underground heating tunnels in Washington DC.  Also accused were  former ILR Professor Eqbal Ahmad, and six others—mostly nuns and priests. I’m not kidding, I’m not kidding.

So, Ed, Fred, Vincent and I started a newspaper called the Harrisburg Independent Press—or—HIP- around the trial of the Harrisburg 8. That was how I became a journalist, the paper was amazing.

And, for the last few years I’ve been working on a book on my experiences at HIP.

A FEW WEEKS AGO, I WAS WORKING ON THE CONCLUSION. And I started wondering what the heck am I doing, why am I time traveling, going back into the past all the time?  

ONE REASON IS PERSONAL : AS WITH Ithaca diaries, I needed to understand on a personal level, just what had gone down, to get things straight in my head, this was such a formative period, in order to figure out what to do next.  

BUT ANOTHER REASON IS HISTORICAL/SOCIETAL.

WHEN I FIRST STARTED WORKING ON THE HARRISBURG BOOK, TRUMP WAS JUST COMING INTO OFFICE, AND I FELT THE COUNTRY WAS DIVIDED, much as it was in the late 60s and early 70s.  I thought it might be interesting to draw some parallels between the present day divisiveness along the lines of  race, poverty, ethnicity, and corruption… and what was going on back then, under the Nixon administration, with race relations, the Vietnam War, dirty tricks and such.

SPIRALS: BROKEN PATTERNS:
 Then I thought about my first book, it’s called Broken patterns, and it’s about our generation of professional women in relation to our own mothers and grandmothers. It describes a spiral pattern in history—a spiral pattern that I think holds true for Individuals as well.

WHAT DO I MEANBY SPIRALS?  HERE I’d LIKE TO PONTIFICATE, A BIT, IF YOU WILL INDULGE ME…

Many of us—myself included—tend to think about progress in a linear way. That is, that to progress, we move forward in a straightforward path toward a goal.  But the older I get, the more I see that life sort of emerges in a series of starts and stops—that we get just so far, in moving toward a goal—maybe we reach it; maybe we get blocked… and then, as a society or as individuals, we tend to pull back to reassess, to reintegrate our own pasts, our country’s past, in order to move forward, once again.  

TODAY A TURNING POINT IN A SPIRAL
I think that now as a society we’re at a turning point in a spiral that’s kind of similar to where we were. 50 years ago. Now, as then, society is divided. Many have moved toward equality but others have been left behind.   As you know, there are issues of race, poverty, war, environment, how government should work, what kind of nation we want to be.  BUT despite all of the disruptions, the divisiveness, the protests,  the violence, I feel heartened that many of us are looking back historically, to understand how we got to this place so that we can regroup to find new ways of doing things.  I know that I’m painting with a rather broad brush—but I believe that==or I HOPE that– retreating a bit to reassess, will allow us move forward as individuals, and as a society, once again. END PONTIFICATION

COMING TOGETHER FOR OUR 51st
 In the same way, coming together for our 50th, or 51st reunion, gives us the chance to look back, to heal, to understand, to figure out where we’re at in order to find new ways to move forward in our own lives. I’m hoping that in our social… er happy hour, we’ll have a chance to catch up, figure out where we’ve been, where we are now, and  what adventures come  next as we enter this new phase in our lives.  TOAST WITH GLASS

One quick reminder—please use chat to catch up/share info or addresses with anyone you want to stay in touch with after the social.  

Ithaca Diaries Excerpt: Cornell Res Club Fire–50 years later

  • On April 13, 2018, the New York Times published an article about an investigation into an event that took place 50 years ago at Cornell…the Res Club Fire… in which eight students and a faculty member died–soon after we got back from Spring break.  I commend amateur sleuth  Bill Fogle for  his efforts to shed light on those terrible events…and hope that, at the very least, a memorial site  will be established at the university. 

Anita Harris at Cornell, photo by Vincent Blockeron those terrible events.

 

 

 

As a Cornell freshman, I attended the memorial service–and wrote a story about it…which is included in my 2016 book, Ithaca Diaries, and presented here.  I’d welcome your comments and remembrances. 
Anita M. Harris

April, 1967

My first day back, April 3, 1967, a grad student is charged with selling $30 worth of LSD.  The next day, the Straight Board of Managers suspends its decision banning the solicitation of draft card burning. On April 5, there’s a picture of a monkey eating a banana on the front page of the Sun.  It is captioned “Students Go Ape over new fad of banana peel smoking.” [i]

That night, eight students (including three freshmen) and a professor die in a horrific fire.

It’s at the Residential Club—a dorm housing mostly students in the new six-year PhD Program. Two boys and a girl who died were freshmen “Phuds”. The others were senior and graduate women and Professor of English John Finch.

The authorities don’t know what caused the fire. They do know that it started in the basement. That there were no sprinklers because the 15-year-old brick structure was supposed to be fireproof.  That most of the damage and deaths were caused by smoke. That some kids made it out by climbing down from second-story windows down ropes made from sheets. And that a lot of kids who couldn’t get out through windows that had horizontal panes you had to crank open, and screens, were found dead.  In bedrooms, the lobby and hallways.

A Phud freshman who escaped from the basement tells the Sun, “It started about 4:10 [in the morning.] I woke up. Heard a lot of noise. Someone was running around. It was John Finch. He yelled, ‘Get out. Get out!’ Then I heard someone yell ‘fire.’” The student turned on his light, woke his roommate. “The lights went out seconds later. We heard no alarm. There were a helluvalot of people screaming like mad, trying to wake people up.” Professor Finch ran out of the building, went back to arouse the occupants, but was trapped and never made it back out.

It’s horrible, terrible to believe. In the Straight, some kids are freaked out; others are playing the jukebox and acting like nothing happened.  In a girls’ dorm, someone calls the fire “stupid and useless.”  Eighty guys who live in the Founders Hall dorm sign a petition protesting the lack of regard for the safety of human lives.  In my dorm, Dickson, women living on the basement level forcibly remove iron bars from the windows of their rooms.  One of them says it took her and another girl 15 minutes to get the bars off four windows. I’m thinking that if there were a fire, they’d roast. Later, a residential advisor persuades them to replace the bars because “someone might try to get in.”

Ithaca Mayor Hunna Johns expresses deepest sympathies to the families and friends of the dead, and requests that all flags in the city be flown at half mast. Some professors cancel classes for the day, and many students skip classes that are held.  A State Senate committee resolves to look into safety provisions at colleges throughout New York State. President Perkins returns from a meeting in Paris. [ii]

On Friday, April 7, they cancel 2 o’clock classes so that everyone can go to the memorial service. I didn’t know any of the people who died and I have never been to the Res Club so this is not registering with me. I feel numb and wonder if I am emotionally cold, when so many people are crying. Still, out of respect, I decide to go.

Later, I write for (Professor James McConkey’s writing class:

 Circus

Large moist snowflakes feel like icy fingers tapping against my face; their coldness leaves a tingling imprint on my skin. I walk, scuffling my shoes against the gray pavement, and I feel the cold mist wrapping itself around my ankles. Water creeps up into my shoes, sneaking through the stitching of the soles and climbing up the absorbent cotton of my stockings.

As I near the chapel, I stop to look at the line of somber umbrellas that sways back and forth, up and down with the wind. One umbrella is improperly dressed for the occasion; it is loudly striped black and white and looks like a circus big top.

The line of mourners moves forward slowly. I link onto its end and feel emptiness behind me. More people join the line, then more; they are like waves slapping against a coastline, one always coming to cover the emptiness of the sand.

We walk with our heads bent. A large-stomached policeman whose shiny orange vinyl raincoat hangs from him like an overturned sand bucket stands and says something to the crowd; to me, he looks like a fireman clown.

Someone says there is no room left in the chapel, and the line dissipates.  I walk up the chapel steps and try to look inside. From a tiptoe position I can glimpse part of a stained glass window; the light arc around it looks pinkish and warm.

The big clowny policeman mounts the chapel stairs and stands, with his feet planted apart, facing me from atop the landing.

“No more room in there,” he says, folding his arms across his chest.

A sad-looking boy with a pale face and drooping cheeks tries to pass by the policeman. The policeman reaches out and grabs the boy’s arm.  The boy looks up and explains quickly, “I think they would have wanted me in there.”

The policeman lets go of the boy and shrugs his huge shoulders. “Well, nothing I can do…I don’t know how you think you’re gonna get through—it’s jammed.” The policeman swings his arms at his sides and rolls his weight from the balls of his feet to his heels as might a dancing bear. The boy turns and walks slowly down the stairs.

I follow the boy into another building to listen to the service over a public address system. Mourners, eyes downcast, sit cross-legged on the floor, staring down at the beige rug. A voice from on high booms forth.

It talks about God.

I pick at the rug.

“God is good, God is kind, God is everlasting…”

I smell the wet wool of my coat and touch it. The fibers are long and as I run my fingers over them they feel like the hair of [my high school boyfriend] Jerry’s arm.

A girl sitting near me is resting her hand on a boy’s knee and I resent her. You have no right to seek happiness, or even to seek sympathy for your sadness, I think. People have died. Be filled with sorrow, but do not try to share it. They died and you live and are glad. So you come and you sit here and some noble voice is telling you that God is good and you are to understand or accept.

God has so willed. God, God, God.  My belief? Death happens. Life happens. When I live, do not tell me it is the will of God and it is good; when I die do not tell me it is the will of God and it is good. When I die, I die.

My foot falls asleep. I knead it, but it feels like a fat dead toad encased in a black cotton stocking. I scrape my finger nail against my instep and the tearing, kneading sensation reminds me of the time I stepped on a branch of rose thorns. I had been forbidden to go barefoot but my mother forgave me for disobeying and helped ease my suffering.

This is pain, I think. You deserve it; you are alive. Learn to love the pain, for you are guilty. You are alive and they are dead. The voice is still speaking of God. A girl plays with a button that reads, “Snoopy plays Rugby.” The girl with her hand on the boy’s knee  bows her head; the boy fondles her neck. My foot tingles. Finally, the organ music begins.

As I walk home, I stop to look into a puddle of water left on the sidewalk. In it is reflected a black tree with long, knobby fingers of branches contrasted against a pale sky. The wind is blowing; ripples distort the image.

The water forms in the shape of an elephant drawn by a child: it has pointed ears and a huge, long trunk. I recall reading in my biology book: Were there no environmental factors limiting population growth, the number of living descendents of two elephants would, after one hundred thousand years, completely fill the visible universe. [iii]

Over the next few months, there are more fires, apparently set, in places the Phuds move into after leaving the Res Club.  In May, a report finds that the university was noncompliant. A senior writes in the Sun that some Phuds have moved into his dorm; that there are six guards for them; that they are afraid all the time; that the Res Club fire was, perhaps, murder.

The investigation runs on for years. There are lawsuits, settlements—but it’s not clear what really happened.  Some people think that one of the Phuds, who was mentally ill, set the fire.  Some believe it was arson. But many years later, Michael Shinagel, a Dean at Harvard, tells me that, in 1967, when he was a junior faculty member at Cornell, John Finch was his office mate—and that the fire was caused, they found, by someone leaving a cigarette on a Naugahyde sofa. “The fumes get in your lungs and you die,” he says.[iv]

I ask the library for information about a final determination; they suggest that I go through President Perkin’s papers, which are in hundreds of boxes somewhere in the archives.

 

[i]  Nb, “Justice Charges 11 with Drug Violations,” Sun, April 4, 1967, 1; Edward Zuckerman, UJB Postpones Cases of 19, Sun, April 5, 1967, 1 Nb “One Drug Charge Dropped, Sun, Monday, 1; Edward Zuckerman, “Hippies Bring Sudden Banana Sales Rise,” Sun, April 3, 1967, 1.

[ii] Nb, “Univ. Mourns Tragic Debacle,”, Extra edition, Ibid.,  Wednesday, April 5, 1967, 1, 2; Joseph K. Kies, “The Titanic: Res. Club Called Safest Building in the County,”  Ibid., Thursday, April 6, 1967, 3;  “Committee to Probe College Fire Safety,”  Ibid.,  1.

[iii] Anita M. Harris, “Circus: After the Res Club Fire,” unpublished story, Spring 1967.

[iv] Krisha Ramanuja, “Remembering a 40-year-old tragedy when eight students and a professor died in off-campus fire,” Cornell Chronicle, April 4, 2007. http://www.news.cornell.edu/stories/2007/04/remembering-campus-fire-killed-nine-1967 ; Conversation with Michael Shinagel, April 2007.

Cornell’s Steve Ludsin: “The Graduate” and the end of youthful optimism

Last week,  the New York Times ran an opinion piece entitled “Why the Graduate is a Vietnam Movie. ”

In the piece, author Beverly Gray explains that  “in June 1967, while the film was still in production, President Lyndon Johnson signed a revamped Military Selective Service Act, signaling that within the year deferments for most graduate students would come to an end,” making them  “draft fodder. ”

“On its surface, ”  Gray writes,  “The Graduate  seemed to be an escapist film about love, sex and the potential for happily-ever-after.
“Its story, of how a new college graduate is seduced by the wife of his father’s partner and then runs off with …her pretty daughter, makes no claim to profundity. Still, it spoke loudly to a demographic that found itself embroiled in a war mandated by a previous generation.”

Many found the film a  ” perfect illustration of a young man struggling to cope with a social landscape over which he had no control…”  Clergymen, politicians,  pundits and military brass found it “subversive.”  Soldiers “embraced it as a comic howl against a status quo they were risking their lives to preserve.”

For my  classmate Steve  Ludsin (ILR 1970) of East Hampton,  New York, who saw the film as a Cornell undergrad, the film  provided  a new perspective on the era–opening his  eyes to the complacency of his upbringing and to the contrast of values once he entered college.

As he writes:

I was traveling on a winter break in Florida with upperclassmen and fraternity brothers from Cornell when I saw the film.

There were rumblings on campus about Vietnam along with our fears about the war and when we might be drafted. Nevertheless I did not perceive the movie to be about Vietnam. It was about being something other than the generation that raised us.

We didn’t know what that other was but we knew we were searching. Just hearing the soundtrack by Simon and Garfunkel still brings deep nostalgic feelings.

Perhaps the movie was the end of youthful optimism that was part of the baby boomer outlook.

We managed to get front row seats at the Supremes’ nightclub act during that trip.The picture of our smiles and clean cut Ivy League look is a time piece. Vietnam was on our minds but there was something bigger than that: an admission that our lives were not going to conform to the previous script. We didn’t know what the plot was but we knew we were going to Scarborough Fair. 

I also saw the film when it first came out and understood  it as a  commentary on a shallow,  materialistic society….but would never have imagined that people would still be talking about it 50 years later!

–Anita M. Harris

Cornell video of Straight Takeover, 1969, now online

wstakeover_35 (1)After working on Ithaca Diaries for eight years, I was honored to be interviewed on NPR’s Here and Now  earlier this month. I was totally impressed that their diligent researchers  discovered that the Cornell University Rare Books Library recently compiled video of  the  takeover of Willard Straight Hall by more than 100 black students,  on parents’ weekend,  in April, 1969.

As Ithaca Diaries readers know, the Straight takeover was a central event in my life and in the university’s  transition from ivory tower to the diverse and forwarding-looking institution it is today.

For me, having been front and center when the  students emerged with those rifles, seeing the silent footage felt eerie.Here’s a link to the video–which, , does need some editing as the various cuts seem to repeat.  I’d love to know your thoughts. 

—Anita
Anita M. Harris is the author of Ithaca Diaries, a nonfiction coming-of-age memoir/social history of college in the late 1960s. The book is available from Amazon, Kindle, and the Cornell Store. 

Photos, thanks from Anita Harris, Cornell Club Ithaca Diaries Event, Boston, at last!

IMG_5124Apologies for taking so long to post photos–but want to thank everyone who came to the Cornell Club of Boston Ithaca Diaries event in April–my first talk on the published (yay!) book. Was very gratified by your warm response….and totally grateful  everyone who helped make the event what even I have to admit was a great success:
especially:  Pam Decatur and the Cambridge Innovation Center; Raffi Hirsch; Paul Hayre, Scott Sanders,  Mark Hoffman, R Mc (who doesn’t want his name out on the Internet) Marc Kessler, , and Elsie, of Star Market. Hoping to have  the video edited soon; please contact me if you’d like to know when it’s available. Anita

Please click here to view  more photos–all shot by Mark Hoffman. (Thanks again, Mark).

–Anita Harris
–AKA Anita M. Harris, as there are  an actual rock star and other authors with my name!

“Ithaca Diaries” Cornell Memoir Now on Amazon

Book Cover-Cambridge Common Press is pleased to announce that an advance edition of Ithaca Diaries ,by Anita M. Harris, is now available for purchase in paperback and kindle formats via Amazon.com.

Ithaca Diaries, is a coming of age memoir set at Cornell University in the tumultuous 1960s. The story is told in first person from the point of view of a smart, sassy, funny, scared, sophisticated yet naïve college student who can laugh at herself while she and the world around her are having a nervous breakdown. Based on the author’s diaries and letters, interviews and other primary and secondary accounts of the time, Ithaca Diaries describes collegiate life as protests, politics, and violence increasingly engulf the student, her campus, and her nation. Her irreverent observations serve as a prism for understanding what it was like to live through those tumultuous times.

An official launch is slated for mid-January, 2015.

Ithaca Diaries featured as “staff pick” on Kickstarter

Book Cover 6x9 9-13-14 - CopyI’m excited to report that shortly after Ithaca Diaries opened for business on kickstarter, I received an email saying that someone on the staff “loved” the project and had chosen it for highlighting on the kickstarter site!
I’m hoping to raise $3500 to bring the book to life.  The writing and editing are done, but it still needs an index and some publishing tweaks. I’m secretly hoping that people will contribute more money so that I can add interactivity to the Ithaca Diaries site…and you can tell YOUR story.  Any and all contributions would be appreciate. Here’s a link to the kickstarter site. Many thanks–Anita

Anita M. Harris is a communications consultant, blogger and author based in Cambridge, MA. She is managing director of the award-winning Harris Communications Group, blogs at New Cambridge Observer, and the author of Broken Patterns, Professional Women and the Quest for a New Feminine Identity.